And then she found an amazing book...

I've been long overdue for a new blog post, so I guess I’ll go ahead and get on it now. Quite a few things have happened in the last… Wow, has it really been 3 weeks? Jeez, I’m horrible about keeping a schedule, huh? Anyway…

One of the coolest things that happened was that I got to mean a guest speaker named Rafal Olbinski when he visited MSU earlier this month. He’s a painter/illustrator from Warsaw Poland and he’s pretty much awesome. Part of why I was so excited to visit his lecture was because he himself actually started off doing engineering architecture but switched to painting at a later date. Beyond that, he gave me hope that as an artist getting a late start on my education, nothing is lost. Olbinski didn’t actual come to America, where he gained notoriety, until he was 37. And here I am freaking out about being just barely over 30 when I plan to graduate.

I actually got to meet him and gushed a bit to him about how he is my inspiration. How does he react? With graciousness and humility, that’s how he reacts. I want to be all these things when I’m older!! Basically what I’m trying to say is that if you have some time, you should really go check out his work which you can view here!

What else happened in the last three weeks? Well, I had a dog for about 72 hours, and then sent him back. He didn’t misbehave or anything, I just didn’t have the time or dedication to train an adult dog. Uuuum, I finished my second project for Metalworking. I started looking for a part time job (because I have WAAAAY too much time on my hands). Oh! And I offered to do a collaborative work with another user on deviant art!

I always find myself trying to give my own creative input when working with others. This can be good, but I also wanted to have a stab at not creative input (at least story wise) and strictly creating a visual experience of another person’s tale. She’s written a clever little short story and seems to be incredibly honored that I would like to do a black and white manga of it. I’m nervous, but it will be a great learning experience and hopefully prepare me for potential commissions in the future.

So, on to the art… I bought an AMAZING book last weekend. After a brief failed attempt to find tasteful nude photos to use as drawing reference, and by the way, where they hell are all these children on Deviantart parents at?! Anyway, I gave up rather quickly on Deviantart, ran to Barnes and Noble and found “Anatomy for the Artist” by Sarah Simblet.

The problem I have always had with anatomy books is that there are too many words! Even the artistic anatomy books have so much jabbering. This book, while still filled with good information and diagrams of the inner anatomy, is filled to the brim with human figure photos in color and black and white. So, I chose my favorite photo as my first self-study practice session tonight:

Actually, I’ve been drawing a lot of male head figures lately. It’s not entirely intentional, I don’t get to choose the subject our Drawing instructor puts in front of us. This image just jumped out at me when I was flipping through the pages. It’s a great lighting choice and one I was excited to work on. I didn’t really finish the finer detail because I was working with charcoal on a smaller surface than I’m used to. Regardless, I’m pretty happy about the outcome. I’m really looking forward to doing more drawings from this book.

Until next time!

Fall Semester Week 1... And so it BEGINS!!

Week one of my new scholarly endeavors has already proven to be a blast. I'm taking a very interesting art history class on non-western art in Africa, Oceania and the Americas. I haven't learned a whole lot yet, but I've only had two class periods so far. After that, I have a quick trot over to Ellis Hall where I'm taking my Metalworking & Jewelry class. So far, this is proving to be one of the more tedious classes.

Don't get me wrong, I love to make jewelry (I've actually been doing it for almost a decade now) so it's very nice to learn about techniques and medium I have very little experience with. However, think about it as if you were independently wealthy and owned 4 high end sports cars. Sure, you don't really dislike any of them (otherwise you'd be an idiot for spending so much on them), but you have your favorites. Hence, one of those awesome cars is going to be at the bottom of the list.

Right now we're working on a small layered project with brass, copper and nickel. It's mainly been tedious because we have to take 10 different magazine clippings and do 4 design evolutions (each) on top of the simplified tracing of the image itself. If you add that up, it's 10 tracings and 40 drawings. I get the idea of practicing and trying a bunch of different things, but I've already picked the one I want to do, so it's been difficult making myself complete the other 20+ evolutions I have left. No biggy, I plan to make quick work of them tonight.

Once I've completed the first half of my day, I then have to trek back to the car and take a little trip downtown for my two studio classes. The third class of the day is Two Dimensional Design. To my understanding, we will only be working with abstract images (hence the word 'design' in the class name). For example: our first project is the classic 'Black Square Problem'. We were given a list of 6 adjectives and our job is to creatively use 4 black squares to convey the emotion the word evokes. I'm happy with 2 or 3 of my designs so far, but I need to pay that project some extra attention tonight and tomorrow as we are turning it in at the end of class Tuesday.

And finally, once I take a brief one hour break following 2D Design, there is what is already my favorite class. I took a drawing class or two in high school, but it has been so long that I forgot how much I enjoyed honing my talent. Drawing I one is the last class of the day for me and is by far the most enjoyable class. No homework. No Tests. No wordy BS assignments. We are just drawing from life. As my instructor put it, we are learning the art of 'seeing'.

I'll admit I got really annoyed about half way through the blind draw (where you only look at the subject and not at what you are drawing), but that's because I like feedback that comes from looking at what I have done. Not too big of a deal, though, since we only did that for 30 minutes and the class is 2.5 hours long. After that, we were pretty much given free reign to draw anything we wanted in the room. I started by drawing my shoe:

Now, for anyone who might aspire to do still life work, I highly suggest that if your subject is an article of clothing make sure that it is not currently on your body. I had my leg stretched out at this angle for at least one hour before I couldn't take it anymore. My entire ass had fallen asleep and my lower back kind of felt like it was burning.

However, even with the numb butt, I was pretty proud of the improvement you see from one drawing to the other. The shoe on the left was the first attempt. With this one I sort of haphazardly started drawing. Of course I was becoming annoyed with the inaccurate proportions I could see and it is very difficult to effectively remove charcoal from newsprint. So, I started again and did quite a bit more planning before adding detail. Gently sketching out the prominent shapes I saw first allowed for a better skeleton for which to add the shoe details on later.

That's one hour I spent on drawing my foot, but what did I do with the last hour of class? Well, the instructor had set up a still life for the blind draw that consisted of a couple plants, animal skulls and a tussled table cloth. I decided to have some fun with the table cloth:

Now, he only wanted us to do line work, but I, again, was getting bored so I disregarded such instructions and let loose with some shading. I haven't used charcoal in so long that I had forgotten how dynamic the lines and shading can be. Sure, you can't keep a charcoal pencil as needle sharp as a graphite pencil, but when use effectively, charcoal can do what graphite cannot.

To wrap this up I will go ahead and say that I can tell this is going to be an amazing semester. I know this because I have only had two days of class and I'm already chomping at the bit to get back on Tuesday. I guess that means that I might be addicted to art...

That's right, I'm addicted to art. Say what you will, but I need it and there's nothing you can do to keep us apart. Now, hand me a tourniquet so I can shoot up with creativity, 'kay?

Whoa, I didn't think there would be a week two!

Phew, I am drowning in homework. Although, that is to be expected with only three weeks of class left and deadlines for final projects approaching. Such is life, I suppose. Anyway...

I wanted to do a character design for TellCosy for a video game she is working on. However, every time I sat down to attempt a go at it, I realized that I not only lack the knowledge of how to draw a trench coat, but I am also not well practiced in the way of drawing men with 'burly' figures. I blame the years of watching Anime, but regardless, I seem to be proficient in drawing glorified stick figures.

I will return to the task of designing the character, but it will have to be at a time in which I can actually study the male physique more in depth. Plus, I'm pretty sure it will take me more than the two hour limit I have set for the time being on my drawing projects.

Speaking of time limits, this week's piece didn't quite hit the one hour goal. I was only shy by 5 to 10 minutes, but I'm not too upset about that. The goal in and of itself pushed me to actually draw more than the one figure I started with.

And here it is:

 

  Little Monsters

Hopefully I'll find some time in the next week to continue with this pace, but I won't be down on myself if my entire schedule in consumed with school work. Besides, I'll have all summer to create crazy awesomeness with my free time!